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Reading Device Kindles a Controversy

By Deborah Kendrick

When Amazon first came out with the Kindle, a handheld e-book reader, people who were blind or visually impaired paid little or no attention. Then, on February 9th, the Kindle 2 was announced – and that, as they say, was a whole new ballgame.

Kindle 2, similar in size and lighter in weight than a typical paperback book, was designed like its predecessor to store electronic books and enable the user to read them, advancing pages to simulate the appearance of printed books of the paper and binding variety. But Kindle 2 also has on board a text-to-speech capability, making it possible for those unable to read the screen visually to hear it read aloud in a computerized male or female voice. With a treasure trove of 260,000 books of every genre (available for download at about $10 a book), newspapers, magazines, wireless access to Wikipedia and more, Kindle 2 was clearly a product worthy of some attention.

Better still, for people who are blind, visually impaired or who have learning disabilities or physical disabilities making the handling of conventional tomes difficult or impossible, here was Amazon launching a mainstream, affordable product at long last that could be accessible to all.

Then, the Authors Guild, a professional organization of journalists and authors, jumped into the ring. Audio rights, said Authors Guild president Roy Blount, Jr. in a New York Times op-ed piece, amounted to 25 percent of their profits, and a text-to-speech feature would enable people to get audio without paying for it. Under pressure, Amazon began to back down, saying maybe they’d just allow the text-to-speech to be available on titles with a book-by-book author permission.

Outraged by this clear move toward segregation in the marketplace, the National Federation of the Blind and 20-plus other organizations representing veterans, seniors, people who are blind, people with learning disabilities, and people with a host of physical or cognitive disabilities that render the handling of print difficult, mobilized to protest this act of exclusion, resulting in the Reading Rights Coalition. The group launched an online petition, that has thus far garnered thousands of signatures, and staged a peaceful demonstration on April 7th outside the Authors Guild headquarters in New York City.

Will Amazon succumb to the pressure and enable the text-to-speech on a book-by-book basis, thus segregating those with print-related disabilities once again? Or will it recognize that it has launched a product that could be accessible to everyone, with or without disabilities, and thus claim a higher profit for everyone? The jury is still out, but the real problem, it seems to me, is one of misinformation with regard to what this technology does and does not do.

As is the case with so many inventions that benefit all people today, the concept of talking books was originally conceived to fill a need experienced only by people with disabilities. Thomas Edison invented the phonograph record, initially, to create spoken-word recordings for blind people. Out of that marvelous invention grew the National Library Service for the Blind and Physically Handicapped, a division of the Library of Congress, and its renowned talking books program.

In the 1980s, the concept of audio books – print books recorded by professional actors and narrators – extended into the commercial marketplace and, suddenly, professionals with long commutes, stay-at-home parents with no time to sit and hold a book, and college students wanting to listen to a classic while doing something else discovered the joy of listening to the written word. The audio book industry has continued to grow – most notably, perhaps, with the launch of Audible.com, an online service that sells audio books that can be downloaded and played on a host of handheld MP3 players. (The Kindle 2, incidentally, will play these books as well.) Only a fraction of all books published are available in audio format, however, and many of those are abridged versions of the original.

For people who are blind, or who have learning disabilities or physical disabilities rendering the handling of conventional print books difficult, the audio book industry has indeed been welcomed. Even more so, however, has been the advent of text-to-speech technologies. Programs that convert the printed word to a computerized voice are available on computers, laptops, cell phones and a host of other devices – making these devices accessible to those unable to see or comprehend the information displayed on screens.

While this access has been a boon to education and employment, it is an alternative or extension of the visual information – not a separate medium. Listening to an audio book “performed” by a professional narrator is one thing; authors should receive additional monetary benefit when those products are purchased. But listening to a book through a computerized voice is simply another way of accessing what is on the screen. There is no performance. There is no additional production cost. The file downloaded is one and the same, whether accessed via eyes or ears.

Given the choice, most customers – if listening is their preferred mode of access – will opt to purchase an audio book (one read by a human) rather than listen to a computerized voice generated by text-to-speech capabilities. The difference offered by the Kindle 2 is that the availability of books is made equal to all customers. Any book that can be purchased and downloaded by a Kindle 2 customer who can read it on the screen can also be purchased, downloaded and enjoyed by one who cannot read the screen.

What the Authors Guild members fail to understand is that accessibility to all is not only the right thing to do but also the most profitable. If the millions of people with print-related disabilities can buy any book, any time that Amazon adds to its constantly growing e-book collection and read it via text-to-speech, more books will be sold. And, when those books are available as bona fide audio books, read by human narrators and thus creating a different product, everyone – with or without disabilities – will pay extra for those products, and the authors will get their share.

Deborah Kendrick is a newspaper columnist and senior features editor for AccessWorld.


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